_HE'S EATING THE SKEWERS!_"]

* * * * *

"DEATH AND HIS BROTHER SLEEP."

_QUEEN MAB_.

[Major MARINDIN, in his Report to the Board of Trade on
the railway collision at Eastleigh, attributes it to the
engine-driver and stoker having "failed to keep a proper
look-out." His opinion is, that both men were "asleep, or
nearly so," owing to having been on duty for sixteen hours
and a-half. "He expresses himself in very strong terms on
the great danger to the public of working engine-drivers and
firemen for too great a number of hours."--_Daily Chronicle_.]

_Who_ is in charge of the clattering train?
The axles creak, and the couplings strain.
Ten minutes behind at the Junction. Yes!
And we're twenty now to the bad--no less!
We must make it up on our flight to town.
Clatter and crash! That's the last train down,
Flashing by with a steamy trail.
Pile on the fuel! We must not fail.
At every mile we a minute must gain!
_Who_ is in charge of the clattering train?

Why, flesh and blood, as a matter of course!
You may talk of iron, and prate of force;
But, after all, and do what you can,
The best--and cheapest--machine is Man!
Wealth knows it well, and the hucksters feel
'Tis safer to trust them to sinew than steel.
With a bit of brain, and a conscience, behind,
Muscle works better than steam or wind.
Better, and longer, and harder all round;
And cheap, so cheap! Men superabound
Men stalwart, vigilant, patient, bold;
The stokehole's heat and the crow's-nest's cold,
The choking dusk of the noisome mine,
The northern blast o'er the beating brine,
With dogged valour they coolly brave;
So on rattling rail, or on wind-scourged wave,
At engine lever, at furnace front,
Or steersman's wheel, _they_ must bear the brunt
Of lonely vigil or lengthened strain.
_Man_ is in charge of the thundering train!

Man, in the shape of a modest chap
In fustian trousers and greasy cap;
A trifle stolid, and something gruff,
Yet, though unpolished, of sturdy stuff.
With grave grey eyes, and a knitted brow,
The glare of sun and the gleam of snow
Those eyes have stared on this many a year.
The crow's-feet gather in mazes queer
About their corners most apt to choke
With grime of fuel and fume of smoke.
Little to tickle the artist taste--
An oil-can, a fist-full of "cotton waste,"
The lever's