FREE BOOKS

Author's List




PREV.   NEXT  
|<   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71  
72   73   74   75   76   77   78   79   80   81   82   83   84   >>  
y one of them; nay, he appears only in a few scenes distributed over fifteen acts. Consequently, if the reader is not very attentive, a character exhibited at such great intervals, and its moral identity, may easily escape his notice, even though it has by no means escaped the poet's. He makes the earl appear everywhere with a noble and knightly grace, and talk in language suitable to it; nay, he sometimes puts very beautiful and even elevated passages, into his mouth. At the same time he is very far from writing after the manner of Schiller, who was fond of painting the devil black, and whose moral approval or disapproval of the characters which he presented could be heard in their own words. With Shakespeare, and also with Goethe, every character, as long as he is on the stage and speaking, seems to be absolutely in the right, even though it were the devil himself. In this respect let the reader compare Duke Alba as he appears in Goethe with the same character in Schiller. We make the acquaintance of the Earl of Northumberland in the play of _Richard II_., where he is the first to hatch a plot against the King in favour of Bolingbroke, afterwards Henry IV., to whom he even offers some personal flattery (Act II., Sc. 3). In the following act he suffers a reprimand because, in speaking of the King he talks of him as "Richard," without more ado, but protests that he did it only for brevity's sake. A little later his insidious words induce the King to surrender. In the following act, when the King renounces the crown, Northumberland treats him with such harshness and contempt that the unlucky monarch is quite broken, and losing all patience once more exclaims to him: _Fiend, thou torment'st me ere I come to hell_! At the close, Northumberland announces to the new King that he has sent the heads of the former King's adherents to London. In the following tragedy, _Henry IV_., he hatches a plot against the new King in just the same way. In the fourth act we see the rebels united, making preparations for the decisive battle on the morrow, and only waiting impatiently for Northumberland and his division. At last there arrives a letter from him, saying that he is ill, and that he cannot entrust his force to any one else; but that nevertheless the others should go forward with courage and make a brave fight. They do so, but, greatly weakened by his absence, they are completely defeated; most of their leaders are captured, an
PREV.   NEXT  
|<   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71  
72   73   74   75   76   77   78   79   80   81   82   83   84   >>  



Top keywords:

Northumberland

 
character
 

Schiller

 
speaking
 

Goethe

 

Richard

 
appears
 

reader

 

unlucky

 

contempt


treats

 
renounces
 

harshness

 

broken

 

exclaims

 

patience

 

surrender

 
losing
 

monarch

 

weakened


leaders

 

defeated

 

protests

 

captured

 

completely

 
brevity
 
insidious
 

greatly

 
absence
 

induce


courage
 

decisive

 

preparations

 

battle

 
morrow
 

waiting

 

making

 

united

 
rebels
 

impatiently


division

 
entrust
 

arrives

 

letter

 

fourth

 
announces
 

forward

 
torment
 

hatches

 

tragedy