sphere of human business, was of sly humor, proud enough and to spare, and
had begun my long curriculum of dyspepsia." This nagging illness was the
cause of much of that irritability of temper which frequently led him to
scold the public, and for which he has been harshly handled by unfriendly
critics.

The period following his university course was one of storm and stress for
Carlyle. Much to the grief of the father whom he loved, he had given up the
idea of entering the ministry. Wherever he turned, doubts like a thick fog
surrounded him,--doubts of God, of his fellow-men, of human progress, of
himself. He was poor, and to earn an honest living was his first problem.
He tried successively teaching school, tutoring, the study of law, and
writing miscellaneous articles for the _Edinburgh Encyclopedia_. All the
while he was fighting his doubts, living, as he says, "in a continual,
indefinite, pining fear." After six or seven years of mental agony, which
has at times a suggestion of Bunyan's spiritual struggle, the crisis came
in 1821, when Carlyle suddenly shook off his doubts and found himself. "All
at once," he says in _Sartor_, "there arose a thought in me, and I asked
myself: 'What _Art_ thou afraid of? Wherefore like a coward dost thou
forever pip and whimper, and go cowering and trembling? Despicable biped!
What is the sum total of the worst that lies before thee? Death? Well,
Death; and say the pangs of Tophet too, and all that the Devil and Man may,
will, or can do against thee! Hast thou not a heart; canst thou not suffer
whatsoever it be; and, as a Child of Freedom, though outcast, trample
Tophet itself under thy feet, while it consumes thee? Let it come then; I
will meet it and defy it!' And as I so thought, there rushed like a stream
of fire over my whole soul; and I shook base Fear away from me forever."
This struggle between fear and faith, and the triumph of the latter, is
recorded in two remarkable chapters, "The Everlasting No" and "The
Everlasting Yea," of _Sartor Resartus_.

Carlyle now definitely resolved on a literary life, and began with any work
that offered a bare livelihood. He translated Legendre's _Geometry_ from
the French, wrote numerous essays for the magazines, and continued his
study of German while making translations from that language. His
translation of Goethe's _Wilhelm Meister_ Appeared in 1824, his _Life of
Schiller_ in 1825, and his _Specimens of German Romance_ in 1827. He began