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those who truly needed their help when he knew that he could stand to be a small orange elephant for a little while longer. The reunion of the Lunechien friends and families was a cause for celebration throughout the Forest. A grand party was enjoyed by all, and even the Cowardly Lion made another trip away from home to pay his respects upon his fellow Foresters. The celebration went on 'til the wee hours of the morning, when Ozma and Glinda had to get back to their regular duties. As for the residents of the Lunechien Forest, I am told that they are as happy today as ever they were. The former Forest Monster, now content to stay small and keep a low profile, continues to this day to spin the most delicate and beautiful webs you can imagine. And, indeed, he did have one of his creations covered in gold, and gave it to Ozma as a sign of his submission to her rule. She keeps it hanging over her bed in such a way that it is the last thing she looks upon at night. The spider-creature has told me that it functions as a dreamcatcher, preventing any unhappy dreams from ever reaching her as she slumbers. The Sleep Fays, who once kept out these bad dreams, have voiced their gratitude to the former Forest Monster for this fine gift. And now, it is time to say goodbye for a time to our happy friends in Oz. But do not fret. Queen Ozma is always sending us new messages from her glorious domain. I can assure you that it will not be so very long at all before we will all be getting together again over another Oz book. Until then, both of your grateful historians wish you as much happiness as is again known in the Lunechien Forest of Oz. THE END A hard copy of this book is available at: http://members.aol.com/LionCoward/home.html Also available is the sequel: "The Magic Topaz of Oz" ***END OF THE PROJECT GUTENBERG EBOOK THE FOREST MONSTER OF OZ*** ******* This file should be named 10419.txt or 10419.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/0/4/1/10419 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Us
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