of the lute, snatches of the principal theme of the
Benedictio, which had impressed itself upon his faithful memory.

Gombert assisted him, but Appenzelder stroked his long beard, signifying
his approval by nods and brief exclamations of satisfaction. The Queen
was now sincerely glad that this piece of music had been brought to her
notice; certainly nothing more suitable for the purpose could have been
found. Besides, her kindly nature and feminine tact made her grateful to
Wolf for his hint of distinguishing, by the first performance of one
of his works, the able conductor and fine composer upon whom she had
imposed so fatiguing a journey.

She would gladly have given Appenzelder also some token of her favour,
but she could not have used any of his compositions--the most famous of
which was a dirge--upon this occasion, and the blunt long-beard frankly
admitted this, and declared unasked that he desired nothing better
than to offer his Majesty, with the Benedictio, the first greeting of
Netherland music.

Gombert's bearing was that of an aristocrat, his lofty brow that of a
thinker, and his mobile mouth rendered it easy to perceive what a wealth
of joyous mirth dwelt within the soul of this artist, who was equally
distinguished in grave and gay moods.

Queen Mary was by no means blind to these merits, and lamented the
impossibility of being on more familiar terms of intercourse with him
and his colleague of the boy choir. But both were of humble birth, and
from childhood custom had prohibited her, as well as the other female
members of her family, from associating with persons who did not belong
to the nobility. So there was no place for either in her household.

Rough Appenzelder regarded this as fortunate; Gombert thought it a
matter of course because custom so ordained.

The stimulus which the Queen could expect from Wolf Hartschwert was
certainly far less deep and varied; yet to him who, as a knight,
belonged to her train, she granted many favours which she denied the
famous Gombert. Besides, Wolf's musical knowledge was as remarkable
as his usefulness as a secretary. Lastly, his equable disposition, his
unerring sense of propriety, and his well-proved fidelity had gained the
full confidence of the royal lady.

By the side of the two composers and leaders of the musicians he looked
almost boyish, yet, as the regent was overburdened with affairs of
state, she confided to him alone the care of the further succ