n
appendage to the Temple of Artemis, after the recovery from sickness of
his wife Arsinoe.

It was small, but a masterpiece of Greek art, and the statues of Sleep
and of A Dream, at the entrance, with the marble group behind the altar,
representing Asklepios with his sister Hygeia and his wife Epione the
Soother, was reckoned by connoisseurs as among the noblest and most
noteworthy works of art in Alexandria.

The dignity and benevolence of the god were admirably expressed in the
features of the divinity, somewhat resembling the Olympian Zeus, who
leaned on his serpent staff; and the graceful, inviting sweetness of
Hygeia, holding out her cup as though she were offering health to the
sufferer, was well adapted to revive the hopes of the despondent. The
god's waving locks were bound with a folded scarf, and at his feet was a
dog, gazing up at his lord as if in entreaty.

The sacred snakes lay coiled in a cage by the altar; they were believed
to have the power of restoring themselves, and this was regarded as a
promise to the sick that they should cast off their disease as a serpent
casts its skin. The swift power of the reptile over life and death, was
an emblem to the votaries of the power of the god to postpone the death
of man or to shorten his days.

The inside of the little sanctuary was a cool and still retreat. Tablets
hung on the white marble walls, inscribed with the thanksgivings or vows
of those who had been healed. On several, the remedies were recorded
which had availed in certain cases; and on the left of the little hall,
behind a heavy hanging, a small recess contained the archives of the
temple, recipes, records of gifts, and documents referring to the
history of the sanctuary.

In this deserted, shady spot, between these thick marble walls, it was
much cooler than outside. Melissa lifted her hands in prayer before the
statue of the god. She was alone, with the exception of the priest
in charge. The temple-servant was absent, and the priest was asleep,
breathing heavily, in an arm-chair in a dark nook behind the marble
group. Thus she was free to follow the impulse of her heart, and pray,
first for her sick lover, and then for the sufferer to whom the whole
subservient world belonged.

For Diodoros, indeed, as she knew, other hands and hearts were uplifted
in loving sympathy. But who besides herself was praying for the hated
sovereign who had at his command the costliest and rarest gifts of
fortu