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e for him, at enormous expense, had he not stubbornly stuck to his beer. They were, some of them, for inviting him to their homes--"An' bring the wonderful dog along for a sing-song"; but Daughtry, proud of Michael for being the cause of such invitations, explained that the professional life was too arduous to permit of such diversions. To Michael he explained that when they proffered a fee of fifty dollars, the pair of them would "come a-runnin'." Among the host of acquaintances made in their cabaret-life, two were destined, very immediately, to play important parts in the lives of Daughtry and Michael. The first, a politician and a doctor, by name Emory--Walter Merritt Emory--was several times at Daughtry's table, where Michael sat with them on a chair according to custom. Among other things, in gratitude for such kindnesses from Daughtry, Doctor Emory gave his office card and begged for the privilege of treating, free of charge, either master or dog should they ever become sick. In Daughtry's opinion, Dr. Walter Merritt Emory was a keen, clever man, undoubtedly able in his profession, but passionately selfish as a hungry tiger. As he told him, in the brutal candour he could afford under such changed conditions: "Doc, you're a wonder. Anybody can see it with half an eye. What you want you just go and get. Nothing'd stop you except . . . " "Except?" "Oh, except that it was nailed down, or locked up, or had a policeman standing guard over it. I'd sure hate to have anything you wanted." "Well, you have," Doctor assured him, with a significant nod at Michael on the chair between them. "Br-r-r!" Daughtry shivered. "You give me the creeps. If I thought you really meant it, San Francisco couldn't hold me two minutes." He meditated into his beer-glass a moment, then laughed with reassurance. "No man could get that dog away from me. You see, I'd kill the man first. I'd just up an' tell 'm, as I'm tellin' you now, I'd kill 'm first. An' he'd believe me, as you're believin' me now. You know I mean it. So'd he know I meant it. Why, that dog . . . " In sheer inability to express the profundity of his emotion, Dag Daughtry broke off the sentence and drowned it in his beer-glass. Of quite different type was the other person of destiny. Harry Del Mar, he called himself; and Harry Del Mar was the name that appeared on the programmes when he was doing Orpheum "time." Although Daughtry did not know it,
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