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his body ripped and rent. There was much blood. The sailors stood listening to the man with the helmet, who made explanations and pointed to the round bullet hole in the floor and the smash in the panel of the passage upon which the still vicious missile had spent the residue of its energy. All the faces were grave and earnest: they were the faces of sober, blond, blue-eyed men accustomed to obedience and an orderly life, to whom this waste, wet, painful thing that had been a comrade came almost as strangely as it did to Bert. A peal of wild laughter sounded down the passage in the direction of the little gallery and something spoke--almost shouted--in German, in tones of exultation. Other voices at a lower, more respectful pitch replied. "Der Prinz," said a voice, and all the men became stiffer and less natural. Down the passage appeared a group of figures, Lieutenant Kurt walking in front carrying a packet of papers. He stopped point blank when he saw the thing in the recess, and his ruddy face went white. "So!" said he in surprise. The Prince was following him, talking over his shoulder to Von Winterfeld and the Kapitan. "Eh?" he said to Kurt, stopping in mid-sentence, and followed the gesture of Kurt's hand. He glared at the crumpled object in the recess and seemed to think for a moment. He made a slight, careless gesture towards the boy's body and turned to the Kapitan. "Dispose of that," he said in German, and passed on, finishing his sentence to Von Winterfeld in the same cheerful tone in which it had begun. 6 The deep impression of helplessly drowning men that Bert had brought from the actual fight in the Atlantic mixed itself up inextricably with that of the lordly figure of Prince Karl Albert gesturing aside the dead body of the Vaterland sailor. Hitherto he had rather liked the idea of war as being a jolly, smashing, exciting affair, something like a Bank Holiday rag on a large scale, and on the whole agreeable and exhilarating. Now he knew it a little better. The next day there was added to his growing disillusionment a third ugly impression, trivial indeed to describe, a mere necessary everyday incident of a state of war, but very distressing to his urbanised imagination. One writes "urbanised" to express the distinctive gentleness of the period. It was quite peculiar to the crowded townsmen of that time, and different altogether from the normal experience of any preceding age,
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