a toto
corpore perfusa vitam prodigiose finivit, (Victor Tununensis in Chron.)
On such occasions, an orthodox mind is steeled against pity. Alemannus
(p. 12, 13) understands of Theophanes as civil language, which does not
imply either piety or repentance; yet two years after her death, St.
Theodora is celebrated by Paul Silentiarius, (in proem. v. 58--62.)]
[Footnote 40: As she persecuted the popes, and rejected a council,
Baronius exhausts the names of Eve, Dalila, Herodias, &c.; after which
he has recourse to his infernal dictionary: civis inferni--alumna
daemonum--satanico agitata spiritu-oestro percita diabolico, &c., &c.,
(A.D. 548, No. 24.)]
II. A material difference may be observed in the games of antiquity:
the most eminent of the Greeks were actors, the Romans were merely
spectators. The Olympic stadium was open to wealth, merit, and ambition;
and if the candidates could depend on their personal skill and activity,
they might pursue the footsteps of Diomede and Menelaus, and conduct
their own horses in the rapid career. [41] Ten, twenty, forty chariots
were allowed to start at the same instant; a crown of leaves was the
reward of the victor; and his fame, with that of his family and country,
was chanted in lyric strains more durable than monuments of brass and
marble. But a senator, or even a citizen, conscious of his dignity,
would have blushed to expose his person, or his horses, in the circus
of Rome. The games were exhibited at the expense of the republic, the
magistrates, or the emperors: but the reins were abandoned to servile
hands; and if the profits of a favorite charioteer sometimes exceeded
those of an advocate, they must be considered as the effects of popular
extravagance, and the high wages of a disgraceful profession. The race,
in its first institution, was a simple contest of two chariots, whose
drivers were distinguished by white and red liveries: two additional
colors, a light green, and a caerulean blue, were afterwards introduced;
and as the races were repeated twenty-five times, one hundred chariots
contributed in the same day to the pomp of the circus. The four factions
soon acquired a legal establishment, and a mysterious origin, and their
fanciful colors were derived from the various appearances of nature in
the four seasons of the year; the red dogstar of summer, the snows
of winter, the deep shades of autumn, and the cheerful verdure of
the spring. [42] Another interpretation prefer
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