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the 'Green Dragon' and the 'Duke of Kent' were the same groups of men--farmers, townsfolk, fishermen--talking in the glare of the rival inns, and they stared at her curiously as she passed, a tall figure, closely veiled. She looked at the well-remembered shops, the stationery shop with its old-fashioned, fly-blown knick-knacks, the milliner's with cheap, gaudy hats, the little tailor's with his antiquated fashion plates. At last she came to the station, and sat in the waiting-room, her heart full of infinite sadness--the terrible sadness of the past.... And she could not shake it off in the train; she could only just keep back the tears. At Victoria she took a cab and finally reached home. The servants said her husband was in his study. 'Hulloa!' he said. 'I didn't expect you to-night.' 'I couldn't stay; it was awful.' Then she went up to him and looked into his eyes. 'You do love me, Herbert, don't you?' she said, her voice suddenly breaking. 'I want your love so badly.' 'I love you with all my heart!' he said, putting his arms round her. But she could restrain herself no longer; the strong arms seemed to take away the rest of her strength, and she burst into tears. 'I will try and be a good wife to you, Herbert,' she said, as he kissed them away. THE END _Colston & Coy, Limited, Printers, Edinburgh_ ******************************************* NOTES FOR TRANSCRIBER IN PROGRESS spendour splendour apparently be changed to apparently been the the third changed to the third make both end meet changed to make both ends meet that to than ratings to rantings End of Project Gutenberg's Orientations, by William Somerset Maugham *** END OF THIS PROJECT GUTENBERG EBOOK ORIENTATIONS *** ***** This file should be named 31308.txt or 31308.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/3/0/31308/ Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rul
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