FREE BOOKS

Author's List




PREV.   NEXT  
|<   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98  
99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   >>   >|  
purely, and so it always makes itself to be felt by that object: it is not anger, but grief assuming the appearance of anger,--love awkwardly counterfeiting hate, as sweet countenances when they try to frown: but such sternness and fierce disgust as Hamlet is made to show, is no counterfeit, but the real face of absolute aversion,--of irreconcilable alienation. It may be said he puts on the madman; but then he should only so far put on this counterfeit lunacy as his own real distraction will give him leave; that is, incompletely, imperfectly; not in that confirmed practised way, like a master of his art, or, as Dame Quickly would say, 'like one of those harlotry players.' I mean no disrespect to any actor, but the sort of pleasure which Shakespeare's plays give in the acting seems to me not at all to differ from that which the audience receive from those of other writers; and, _they being in themselves essentially so different from all others_, I must conclude that there is something in the nature of acting which levels all distinctions. And in fact, who does not speak indifferently of the _Gamester_ and of _Macbeth_ as fine stage performances, and praise the Mrs. Beverley in the same way as the Lady Macbeth of Mrs. S.? Belvidera, and Calista, and Isabella, and Euphrasia, are they less liked than Imogen, or than Juliet, or than Desdemona? Are they not spoken of and remembered in the same way? Is not the female performer as great (as they call it) in one as in the other? Did not Garrick shine, and was not he ambitious of shining in every drawling tragedy that his wretched day produced,--the productions of the Hills and the Murphys and the Browns,--and shall he have that honour to dwell in our minds for ever as an inseparable concomitant with Shakespeare? A kindred mind! O who can read that affecting sonnet of Shakespeare which alludes to his profession as a player: Oh for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public custom breeds-- Thence comes it that my name receives a brand; And almost thence my nature is subdued To what it works in, like the dyer's hand-- Or that other confession: Alas! 'tis true, I have gone here and there, And made myself a motley to thy view, Gor'd mine own thoughts, sold cheap what is most dear-- Who can read these instances of jealous self-wa
PREV.   NEXT  
|<   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98  
99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   >>   >|  



Top keywords:
Shakespeare
 

acting

 

public

 

Macbeth

 

nature

 

counterfeit

 
honour
 
Browns
 

kindred

 
instances

confession

 

jealous

 
inseparable
 

concomitant

 

Murphys

 

Garrick

 

remembered

 

female

 
performer
 
ambitious

shining

 

produced

 
productions
 
wretched
 

tragedy

 

drawling

 

motley

 
thoughts
 

spoken

 

harmful


provide

 

Thence

 

receives

 

breeds

 
custom
 

goddess

 
guilty
 

sonnet

 
alludes
 

profession


player

 

subdued

 

affecting

 
Fortune
 

indifferently

 

madman

 

aversion

 

absolute

 

irreconcilable

 
alienation