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" in me, and was "beginning to be worth my salt." I had told father, though, so much about Tim Rooney, recounting all his kindness to me on board the Silver Queen from almost the first moment I saw him--almost, but not quite, the commencement of our first interview having been rather alarming to me--that nothing would suit him but my friend Tim's coming down to Westham for a short visit, if only for a day. Of course, I wrote to him, inclosing a letter father sent inviting him, and Tim came next day prompt as usual in his sailor fashion, winning all the hearts at the vicarage before he had been an hour in the place. Father naturally thanked him for all that he had done for me, which made the bashful boatswain blush, while he deprecated all mention of his care of me. "Bedad, sorr," said he to father in his raciest brogue, and with that suspicion of mirth which seemed always to hover about his left eye, "it wor quite a plisure, sure, to sarve him; for he's the foorst lad I iver came across as took so koindly to the thrade. 'Dade an' sure, sorr, I belaive he don't think none the worse av it now, by the same token; an' would give the same anser, sorr, to what I've axed him more nor once since he foorst came aboord us. Faix, I'll ax him now, your riverince. Ain't ye sorry, Misther Gray-ham, as how ye iver wint to say, now?" "No, not a bit of it," replied I sturdily, in the same way as I had always done to his stereotyped inquiry. "And I'll go again cheerfully as soon as the Silver Queen is ready again for her next voyage." "There ye are, sorr!" cried Tim admiringly. "He's a raal broth av a boy entoirely. Sure, he'll be a man afore his mother yit, sorr!" THE END. End of the Project Gutenberg EBook of Afloat at Last, by John Conroy Hutcheson *** END OF THIS PROJECT GUTENBERG EBOOK AFLOAT AT LAST *** ***** This file should be named 21104.txt or 21104.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/1/0/21104/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General T
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