umn at Rome, I shall only say, that it illustrates my
meaning, except in so far as an immense base to the super-imposed
statuere deems it from the jockey imputation of carrying too light a
weight. Now, with respect to the Nelson memorial, your meddlesome scribe
had an unexhibited notion of his own. Mehemet Ali is understood to have
given certain two obelisks respectively to the French and English
nations: the Parisians appropriated theirs, and have set it up,
thorn-like, in their midst, perhaps as an emblem of what African
conquest has been in the heartside of France; but we English, less
imaginative, and therefore less antiquarian, have permitted our _petit
cadeau_ to lie among its ruins of Luxor or Karnac, unclaimed and
unconsidered.
Nelson of the Nile might have had this consecrated to his honour: and
if, as is probable, it be of insufficient elevation, I should have
proposed a high flight of steps and a base, screened all round by
shallow Egyptian entrances, with an Etruscan sarcophagus just within the
principal one, (Egypt and Etruria were cousins germane,) and an
alto-relievo of Nelson dying, but victorious, recumbent on the lid: the
globe and wings, emblems alike of Nelson's rapidity, his universal fame,
and his now-emaciated spirit, might be sculptured over each entrance; a
sphinx, or a Prudhoe lion, being allusive to England as well as Egypt,
should sit guardiant at each corner of the steps; and the three
remaining doorways would be represented closed, and carved externally
with some allegorical personations of Nelson's career, of the Nile,
Copenhagen, and Trafalgar. This, then, had it been strictly in my
metier, (a happy metier mine of literary leisure,) should have been my
limned outline for the Nelson testimonial: the real interesting antique
needle, rising from the midst of its solid Egyptian architecture, and
pointing to the skies; not a steeple, however, but merely the obelisk
raised upon a heavy base, only hollowed far enough to admit of an
interior alto-relievo.
It is probable that the exhibition of designs, which an _alibi_
prevented me from seeing, included several obelisks; but the
peculiarities I should have insisted on, would have been first to make
good use of the real thing, the rarely carved old Egypt's porphyry; and,
next, to have had our hero's likeness within reasonable distance of the
eye.
But to return from this other desperate digression: Alfred, the great
and wise, deserves his Sax
|