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umn at Rome, I shall only say, that it illustrates my meaning, except in so far as an immense base to the super-imposed statuere deems it from the jockey imputation of carrying too light a weight. Now, with respect to the Nelson memorial, your meddlesome scribe had an unexhibited notion of his own. Mehemet Ali is understood to have given certain two obelisks respectively to the French and English nations: the Parisians appropriated theirs, and have set it up, thorn-like, in their midst, perhaps as an emblem of what African conquest has been in the heartside of France; but we English, less imaginative, and therefore less antiquarian, have permitted our _petit cadeau_ to lie among its ruins of Luxor or Karnac, unclaimed and unconsidered. Nelson of the Nile might have had this consecrated to his honour: and if, as is probable, it be of insufficient elevation, I should have proposed a high flight of steps and a base, screened all round by shallow Egyptian entrances, with an Etruscan sarcophagus just within the principal one, (Egypt and Etruria were cousins germane,) and an alto-relievo of Nelson dying, but victorious, recumbent on the lid: the globe and wings, emblems alike of Nelson's rapidity, his universal fame, and his now-emaciated spirit, might be sculptured over each entrance; a sphinx, or a Prudhoe lion, being allusive to England as well as Egypt, should sit guardiant at each corner of the steps; and the three remaining doorways would be represented closed, and carved externally with some allegorical personations of Nelson's career, of the Nile, Copenhagen, and Trafalgar. This, then, had it been strictly in my metier, (a happy metier mine of literary leisure,) should have been my limned outline for the Nelson testimonial: the real interesting antique needle, rising from the midst of its solid Egyptian architecture, and pointing to the skies; not a steeple, however, but merely the obelisk raised upon a heavy base, only hollowed far enough to admit of an interior alto-relievo. It is probable that the exhibition of designs, which an _alibi_ prevented me from seeing, included several obelisks; but the peculiarities I should have insisted on, would have been first to make good use of the real thing, the rarely carved old Egypt's porphyry; and, next, to have had our hero's likeness within reasonable distance of the eye. But to return from this other desperate digression: Alfred, the great and wise, deserves his Sax
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