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376 he gained a decisive victory over the Spartan fleet off Naxos, but, when he might have destroyed the Spartan fleet, remembering the fate of the generals at Arginusae, he delayed to pick up the bodies of his dead. Later, when the Athenians changed sides and joined the Spartans, he repulsed Epaminondas before the walls of Corinth. In 366, together with Callistratus, he was accused of treachery in advising the surrender of Oropus to the Thebans. He was acquitted, and soon after he accepted a command under Tachos, king of Egypt, who had revolted against Persia. But on the outbreak of the Social War (357) he joined Chares in the command of the Athenian fleet. He lost his life in an attack on the island of Chios. See Cornelius Nepos, _Chabrias_; Xenophon, _Hellenica_, v. 1-4; Diod. Sic. xv. 29-34; and C. Rehdantz, _Vitae Iphicratis, Chabriae, et Timothei_ (1845); art. DELIAN LEAGUE, section B, and authorities there quoted. CHABRIER, ALEXIS EMMANUEL (1841-1894), French composer, was born at Ambert, Puy de Dome, on the 18th of January 1841. At first he only cultivated music as an amateur, and it was not until 1879 that he threw up an administration appointment in order to devote himself entirely to the art. He had two years previously written an _opera bouffe_ entitled _L'Etoile_, which was performed at the Bouffes Parisiens. In 1881 he was appointed chorus-master of the concerts then recently established by Lamoureux. In 1883 he composed the brilliant orchestral rhapsody entitled _Espana_, the themes of which he had jotted down when travelling in Spain. His opera _Gwendoline_ was brought out with considerable success at Brussels on the 10th of April 1886, and was given later at the Paris Grand Opera. The following year 1887, _Le Roi malgre lui_, an opera of a lighter description, was produced in Paris at the Opera Comique, its run being interrupted by the terrible fire by which this theatre was destroyed. His last opera, _Briseis_, was left unfinished, and performed in a fragmentary condition at the Paris Opera, after the composer's death in Paris on the 13th of September 1894. Chabrier was also the author of a set of piano pieces entitled _Pieces pittoresques, Valses romantiques_, for two pianos, a fantasia for horn and piano, &c. His great admiration for Wagner asserted itself in _Gwendoline_, a work which, in spite of inequalities due to want of experience, is animated by a high artistic ideal, is poet
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