376 he gained a
decisive victory over the Spartan fleet off Naxos, but, when he might
have destroyed the Spartan fleet, remembering the fate of the generals
at Arginusae, he delayed to pick up the bodies of his dead. Later, when
the Athenians changed sides and joined the Spartans, he repulsed
Epaminondas before the walls of Corinth. In 366, together with
Callistratus, he was accused of treachery in advising the surrender of
Oropus to the Thebans. He was acquitted, and soon after he accepted a
command under Tachos, king of Egypt, who had revolted against Persia.
But on the outbreak of the Social War (357) he joined Chares in the
command of the Athenian fleet. He lost his life in an attack on the
island of Chios.
See Cornelius Nepos, _Chabrias_; Xenophon, _Hellenica_, v. 1-4; Diod.
Sic. xv. 29-34; and C. Rehdantz, _Vitae Iphicratis, Chabriae, et
Timothei_ (1845); art. DELIAN LEAGUE, section B, and authorities there
quoted.
CHABRIER, ALEXIS EMMANUEL (1841-1894), French composer, was born at
Ambert, Puy de Dome, on the 18th of January 1841. At first he only
cultivated music as an amateur, and it was not until 1879 that he threw
up an administration appointment in order to devote himself entirely to
the art. He had two years previously written an _opera bouffe_ entitled
_L'Etoile_, which was performed at the Bouffes Parisiens. In 1881 he was
appointed chorus-master of the concerts then recently established by
Lamoureux. In 1883 he composed the brilliant orchestral rhapsody
entitled _Espana_, the themes of which he had jotted down when
travelling in Spain. His opera _Gwendoline_ was brought out with
considerable success at Brussels on the 10th of April 1886, and was
given later at the Paris Grand Opera. The following year 1887, _Le Roi
malgre lui_, an opera of a lighter description, was produced in Paris at
the Opera Comique, its run being interrupted by the terrible fire by
which this theatre was destroyed. His last opera, _Briseis_, was left
unfinished, and performed in a fragmentary condition at the Paris Opera,
after the composer's death in Paris on the 13th of September 1894.
Chabrier was also the author of a set of piano pieces entitled _Pieces
pittoresques, Valses romantiques_, for two pianos, a fantasia for horn
and piano, &c. His great admiration for Wagner asserted itself in
_Gwendoline_, a work which, in spite of inequalities due to want of
experience, is animated by a high artistic ideal, is poet
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