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ush (born 1842; died 1909). With even greater technical resources, he poured forth a series of cartoons of remarkable evenness of skill and interest; he soon left weekly for daily journalism. He never won, single-handed, such a battle as Nast's, but his drawings have a more general, perhaps a more lasting interest. When he left _Harper's Weekly_ he was succeeded by W.A. Rogers, who composed many ingenious and telling cartoons. The vogue which, through Nast, _Harper's Weekly_ gave to caricature, prepared the way for the first purely comic weekly paper, _Puck_, founded by two Germans, and for long published in a German as well as an English edition--a journal which has cast its influence generally in favour of the Democratic party. It is worth noting that not only the founders but the spirit of American caricature have been rather German than English, the American comic papers more closely resembling _Fliegende Blatter_, for example, than _Punch._ One of the founders of _Puck_ was Joseph Keppler (1838-1894), long its chief caricaturist. The Republican party soon found a champion in _Judge_, a weekly satirical paper which resembles _Puck_ closely in its crudely coloured pages, though somewhat broader and less ambitious in the spirit and execution of its black-and-white illustrations. These two papers have kept rather strictly to permanent staffs, and have furnished the opening for many popular draughtsmen, such as Bernhard Gillam (d. 1896), and his brother, Victor; J.A. Wales (d. 1886); E. Zimmerman, whose extremely plebeian and broadly treated types often obscure the observation and Falstaffian humour displayed in them; Grant Hamilton; Frederick Opper, for many years devoted to the trials of suburban existence, and later concerned in combating the trusts; C.J. Taylor, a graceful technician; H. Smith; Frank A. Nankivell, whose pretty athletic girls are prone to attitudinizing; J. Mortimer Flagg; F.M. Howarth; Mrs Frances O'Neill Latham, whose personages are singularly well modelled and alive; and Miss Baker Baker, a skilful draughtswoman of animals. A stimulus to genuine art in caricature was given by the establishment (1883) of the weekly _Life_, edited by J.A. Mitchell, a clever draughtsman as well as an original writer. It is to this paper that America owes the discovery and encouragement of its most remarkable artist humorist, Charles Dana Gib
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