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lack, or Sudra. The Brahman caste was above all these. Concerning the origin of the Brahmans, it is related that "Manu was created ... he, in turn created ten great sages, the ancestors of the Brahmans. These created _seven_ other Manus or spiritual princes, the preservers of moral orders in the world" (Goodyear). Pointing out that the seven Manus evidently constituted a septarchy, let us now study the Brahmanistic conception of a supreme divinity. From various authorities we learn that, in later times "the Brahmans invented a new god, the impersonal Brahma, who only appears in the youngest portion of the Vedas." He is described as "the supreme One who alone exists really and absolutely," and is represented with four heads and four arms, the idea of four-fold power and rule being thus expressed. The proof that, at the same time, the idea of duality existed, is furnished by the invention of a female counterpart of Brahma, namely, his consort Sarawati and the later development of the rival religions which now exist side by side and divide the population of India into halves. The cult of Vishnu, associated with the male principle, though curiously blended with the principle of preservation, is obviously a parallel form of the American and Chinese cult of the Above or Heaven; while that of Siva, or the female principle, strongly mingled with the idea of destruction, forms a parallel to the cult of the Earth-mother and of darkness and the nocturnal heaven. Brahma was born of an egg and is also figured as springing from a lotus which, in turn rises from the navel of Vishnu or Narayana, "the Spirit moving on the waters."...(90) In modern Buddhism the identical fundamental ideas continue to exist in a slightly different form; the six directions in space are known and elaborately worshipped. The embodiment of central power is Buddha, seated cross-legged on a lotus flower. According to Birdwood, cited by Mr. Goodyear, "In the Hindu cosmogony the world is likened to a lotus flower, floating in the centre of a shallow circular vessel, which has for its stalk an elephant and for its pedestal a tortoise. The seven petals of the lotus flower represent the seven divisions of the world as known to the ancient Hindus and the tabular torus (_Nelumbium speciosum_) which rises from their centre represents Mount Meru, the Hindu Olympus." In the statues of Buddha, thus associated with the centre of the world, we have what may be termed th
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