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me, homelier, but more durable. He is borne along with no pompous paradoxes, shines in no glittering tinsel of a fashionable phraseology; is neither fop nor sophist. He has none of the turbulence or froth of new-fangled opinions. His style runs pure and clear, though it may often take an underground course, or be conveyed through old-fashioned conduit-pipes. Mr. Lamb does not court popularity, nor strut in gaudy plumes, but shrinks from every kind of ostentatious and obvious pretension into the retirement of his own mind. "The self-applauding bird, the peacock see:-- Mark what a sumptuous pharisee is he! Meridian sun-beams tempt him to unfold His radiant glories, azure, green, and gold: He treads as if, some solemn music near, His measured step were governed by his ear: And seems to say--'Ye meaner fowl, give place, I am all splendour, dignity, and grace!' Not so the pheasant on his charms presumes, Though he too has a glory in his plumes. He, Christian-like, retreats with modest mien To the close copse or far sequestered green, And shines without desiring to be seen." These lines well describe the modest and delicate beauties of Mr. Lamb's writings, contrasted with the lofty and vainglorious pretensions of some of his contemporaries. This gentleman is not one of those who pay all their homage to the prevailing idol: he thinks that "Newborn gauds are made and moulded of things past," nor does he "Give to dust that is a little gilt More laud than gilt o'er-dusted." His convictions "do not in broad rumor lie," nor are they "set off to the world in the glistering foil" of fashion; but "live and breathe aloft in those pure eyes, and perfect judgment of all-seeing _time_." Mr. Lamb rather affects and is tenacious of the obscure and remote: of that which rests on its own intrinsic and silent merit; which scorns all alliance, or even the suspicion of owing any thing to noisy clamour, to the glare of circumstances. There is a fine tone of _chiaro-scuro_, a moral perspective in his writings. He delights to dwell on that which is fresh to the eye of memory; he yearns after and covets what soothes the frailty of human nature. That touches him most nearly which is withdrawn to a certain distance, which verges on the borders of oblivion:--that piques and provokes his fancy most, which is hid from a superficial glance. That which, though gone by, is still remembered, is in his view mo
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