l: a Perennial of Fun."

Miss Louisa Sheridan's "Comic Offering." 1831-1835.

"The National Omnibus," a journal of literature, etc. (designs on wood,
with Cruikshank), 1831-1832; "The Comic Magazine," 1832-1834;
Richardson's "Minor Drama," 1827-1830; Piers Shafton Granton's "Vagaries
in Quest of the Wild and Wonderful"; "Mrs. Greece and her Rough Lovers"
[Russia and Turkey] (McLean), 1828; "How to Spell Harrowgate" (C. King),
1828; "Going by Steam" (G. King); "The Political Bellman"; "A Musical
Genius" (G. Creed); "A Man of Taste and Feeling" (G. Creed).

_The following, among others, for McLean, in 1829._

"Search after Happiness" (two plates); Portrait of O'Connell;
"Buonaparte in his Study"; "State of the Nation"; "Treasure Seeking";
"The Raft"; "O'Connell's Dream"; "London"; "Plot Discovered"; "Death of
the Giraffe" (a series of plates); "Rival Actresses"; "Moments of
Reflection"; "Ennui"; "The Ear-wig"; "The Lost Key"; "The Man Wot
Steers"; "Raising the Wind"; "Catholic State Wagon."

"The Looking Glass" (a series of political and other caricatures, in
which he was assisted by William Heath). 1830-1836.

"Sycophant Saints and Sabbath Sinners." Circa 1832.

[_With Isaac Robert Cruikshank._] "Cruikshank at Home," and "The Odd
Volume." 1836.

"The Omnibus" (a series of humorous etchings on copper); and "The
Heiress" (six plates, each consisting of about five subjects).

Upwards of three hundred designs on wood for "Figaro in London."
1831-1836.

"Valpurgis; or, the Devil's Festival." Four woodcuts. (Kidd.) 1831.

"The Extraordinary Black Book" (an exposition of the incomes of the
aristocracy, Church, civil list, list of sinecurists, etc.), one
caricature plate. 1831.

"The Comic Magazine." 1831-1834.

"Maxims and Hints for an Angler" (twelve beautifully-finished drawings
on stone).

"The Schoolmaster Abroad" (aimed at Lord Brougham's educational
movement).

"New Readings by Old Authors" (a small lithographic series comprising
upwards of three hundred plates, the subjects being suggested by
readings in Shakespeare, Schiller's "William Tell," and Byron's
"Giaour.")

Several hundred illustrations for Maddeley, the publisher.

The "Humorous Sketches"; "Hood's Comic Almanack," 1836 (thirteen
woodcuts); "Squib Annual of Poetry, Politics, and Personalities" (twelve
designs); [_with Cruikshank_] "Sayings worth Hearing, and Secrets worth
Knowing"; "Terrific Penny Magazine"; T. K. Hervey's "Book of Christm