d. Compare also Aubrey's
_Brief Lives_, ed. A. Clark, vol. ii, p. 224: 'He was wont to say
"I'le keepe myselfe warme and moyst as long as I live, for I shall be
cold and dry when I am dead ".'
50.
Clarendon, MS. Life, p. 57; _Life_, ed. 1759, pp. 26-7.
Izaak Walton included a short character of Earle in his _Life of
Hooker_, published in the year of Earle's death: 'Dr. Earle, now Lord
Bishop of Salisbury, of whom I may justly say, (and let it not offend
him, because it is such a trifle as ought not to be concealed from
posterity, or those that now live, and yet know him not,) that since
Mr. Hooker died, none have lived whom God hath blessed with more
innocent wisdom, more sanctified learning, or a more pious, peaceable,
primitive temper: so that this excellent person seems to be only like
himself, and our venerable Richard Hooker.'
See also _Athenae Oxonienses_, ed. Bliss, vol. iii, cols. 716-9.
Page 168, l. 25. _Earle of Pembroke_, the fourth Earl, Lord
Chamberlain 1626-1641: see p. 4, l. 30, note.
Page 169, l. 3. _Proctour_, in 1631. The 'very witty and sharpe
discourses' are his _Micro-cosmographie_, first published anonymously
in 1628.
l. 23. Compare p. 72, ll. 29 ff., and p. 90, ll. 21 ff.
l. 28. He was made chaplain and tutor to Prince Charles in 1641. His
'lodginge in the court' as chaplain to the Lord Chamberlain had made
him known to the king.
51.
Clarendon, MS. Life, pp. 57-8; _Life_, ed. 1759, pp. 27-8.
'The Ever Memorable Mr. John Hales, of Eaton-Colledge', as he is
called on the title-page of his _Golden Remains_, published in 1659
(second impression, 1673), is probably best known now by his remark
'That there was no subject of which any Poet ever writ, but he would
produce it much better treated of in Shakespeare'. This remark was
first given in print in Dryden's essay _Of Dramatick Poesie_, 1668,
and was repeated in varying forms in Nahum Tate's Dedication to the
_Loyal General_, 1680, Charles Gildon's _Reflections on Mr. Rymer's
Short View of Tragedy_, 1694, and Nicholas Rowe's _Account of the
Life of Shakespear_, 1709. But it had apparently been made somewhere
between 1633 and 1637 in the company of Lord Falkland. It is the one
gem that survives of this retired student's 'very open and pleasant
conversation'.
Clarendon's portrait explains the honour and affection in which the
'ever memorable' but now little known scholar was held by all his
friends. The best companion to
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