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ir being washed white as snow, recited to hymning congregations confessions that made the offenses of the Marquis de Sade or Jack the Ripper fade into peccadilloes. Christian says: Their Hevas or dramatic entertainments, pageants and tableaus, of varying degrees of grossness, similar to the more elaborate and polished products of the early Javanese and Peruvian drama ... one cannot help fancying must be all pieces out of the same puzzle ... I have with some pains discovered the origin of the name "Arioi." It throws a lurid light on the character of some of the Asiatic explorers who must have visited this part of the Eastern Pacific prior to the Europeans. In Maori the word Karioi means debauched, profligate, good-for-nothing. In Raratonga [an island near Tahiti] the adjective appears as Kariei. These are probably slightly worn down forms of the Persian Khara-bati, which has precisely the same significance as the foregoing. One is forced to the conclusion that the Arabian Nights stories of the voyages of Sindbad the Sailor were founded on a bed-rock of solid fact, and that Persian and Arab merchants, pirates and slave-traders, must have penetrated into these far-off waters, and brought their vile, effeminate luxury and shameful customs with them from Asia, of which transplanted iniquity, the parent soil half-forgotten, this word, like several others connected with revelry and vice, like a text in scarlet lettering, survives to this day. The first Jesuit missionaries to the Caroline Islands found there an organization with privileges and somewhat the same objects as the Arioi, which was called Uritoi. As "t" is a letter often omitted or altered in these island tongues, it is not hard by leaving it out to find a likeness in the names Arioi and Urioi. The Carolines and Tahiti are thousands of miles apart, and not inhabited by the same race. Ellis was a missionary incapable by education, experience, and temperament of appreciation of the artistic life of the Arioi. He would have chased the faun into seclusion until he could clothe him in English trousers, and would have rendered the Venus of Milo into bits. Despite an honest love for mankind and considerable discernment, he saw nothing in the Arioi but a logical and diabolical condition of paganism. Artistry he did not rank high, nor, to find a reason for the Arioi, did he go back of Satan's ceaseless seeking whom he may devour. Bovis, a Frenchman, world traveled,
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