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have loved in vain and shall love in vain until the end--to Her who wears, even in the triumph of her Immortality, the close-clinging, heavily-scented cerements of the Dead! "The old bards shall cease and their memory that lingers Of frail brides and faithless shall be shrivelled as with fire, For they loved us not nor knew us and our lips were dumb, our fingers Could wake not the secret of the lyre. Else, else, O God, the Singer, I had sung, amid their rages, The long tale of Man, And his deeds for good and ill. But the Old World knoweth--'tis the speech of all his ages-- Man's wrong and ours; he knoweth and is still." WALT WHITMAN I want to approach this great Soothsayer from the angle least of all profaned by popular verdicts. I mean from the angle of his poetry. We all know what a splendid heroic Anarchist he was. We all know with what rude zest he gave himself up to that "Cosmic Emotion," to which in these days the world does respectful, if distant, reverence. We know his mania for the word "en masse," for the words "ensemble," "democracy" and "libertad." We know his defiant celebrations of Sex, of amorousness, of maternity; of that Love of Comrades which "passeth the love of women." We know the world-shaking effort he made--and to have made it at all, quite apart from its success, marks him a unique genius!--to write poetry about every mortal thing that exists, and to bring the whole breathing palpable world into his Gargantuan Catalogues. It is absurd to grumble at these Inventories of the Round Earth. They may not all move to Dorian flutes, but they form a background--like the lists of the Kings in the Bible and the lists of the Ships in Homer--against which, as against the great blank spaces of Life itself, "the writing upon the wall" may make itself visible. What seems much less universally realized is the extraordinary genius for sheer "poetry" which this Prophet of Optimism possessed. I agree that Walt Whitman's Optimism is the only kind, of that sort of thing, that one can submit to without a blush. At least it is not indecent, bourgeois, and ill-bred, like the fourth-hand Protestantism that Browning dishes up, for the delectation of Ethical Societies. It is the optimism of a person who has seen the American Civil War. It is the optimism of a man who knows "the Bowery" and "the road," and has had queer friends in his mortal pilgri
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