FREE BOOKS

Author's List




PREV.   NEXT  
|<   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185  
186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   >>   >|  
urved. [7] See Moritz Furstenau, _Geschichte der Musik und des Theaters am Hofe zu Dresden_ (Dresden, 1861-1862), p. 28. [8] See Michel Brenet, "Deux comptes de la Chapelle Musique des rois de France," _Sammelband der Intern. Mus. Ges._, vi. 1 (Leipzig, 1904), pp. 20, 21, 29; and _Archives nationales_ (Paris), Z. Ia. 486. [9] _Das neu-eroffnete Orchester_ (Hamburg, 1713), p. 253. [10] _Der vollkommene Kapellmeister_ (Hamburg, 1739). [11] See Mersenne, _op. cit._, bk. v., p. 274. [12] Part of book iii. in MS. Harleian, 2034, fol. 207b. Brit. Museum. [13] _Delle imperfettioni della moderna musica_ (Venice, 1600), pp. 4, 5, 6 and 12b. [14] Grafl. Schonborn Bibl. Pommersfelden, Cod. 2776, reproduced in E. Buhle's _Die musikalischen Instrumente in den Miniatur-Handschriften des Mittelalters_, part i. (Leipzig, 1903) pl. 6 and p. 24, where other references will be found. [15] Royal Roll, 14 B. v. 13th century. See also Augustus Hughes-Hughes, _Catalogue of MS. Music in the British Museum_, part iii. [16] See "Triumphzug des Kaisers Maximilians I.," _Beilage zum 1 sten Bd. d. Jahrbuch der Samml. des Allerhochsten Kaiserhauses_ (Vienna, 1883), part i. p. 26, and letterpress, Bd. i. pp. 154-181. [17] See Victor Mahillon, _Elements d'acoustique musicale et instrumentale_ (Brussels, 1874), pp. 96, 97, &c., with diagrams, and Friedrich Zamminer, _Die Musik und die musikalischen Instrumente_, &c. (Giessen, 1855), p. 310, &c., with diagrams. [18] For a fuller description of this system see Capt. C. R. Day, _Descriptive Catalogue of Musical Instruments_ (London, 1891), p. 207, No. 406. [19] Id., pp. 192-193. CORNETO TARQUINIA (anc. _Tarquinii_), a town of Italy, in the province of Rome, 62 m. N.W. by rail from the town of Rome, 490 ft. above sea-level. Pop. (1901) 5273. Corneto probably arose after the ancient town had been destroyed by the Saracens. In the 10th century it began to acquire importance, and for some time was an independent commune. It is picturesquely situated, and commands a fine view. It possesses medieval fortifications, and no less than twenty-five towers are still standing in various parts of the town, which thus has a remarkably medieval appearance. The castle on the N. contains the Romanesque church of S. Maria in Castello, begun in 1121, with a fine portal of 1143, a _ciborium_ of 1
PREV.   NEXT  
|<   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185  
186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   >>   >|  



Top keywords:

century

 

Museum

 
Hughes
 

Leipzig

 
Hamburg
 

Catalogue

 

musikalischen

 

Instrumente

 

medieval

 

diagrams


Dresden

 
Tarquinii
 

fuller

 

Zamminer

 
Friedrich
 
system
 
province
 

musicale

 

acoustique

 
instrumentale

description
 

Brussels

 

TARQUINIA

 

CORNETO

 
Descriptive
 
Musical
 

Instruments

 

London

 

Giessen

 

standing


towers
 

fortifications

 

possesses

 

twenty

 

remarkably

 

Castello

 

portal

 

ciborium

 

church

 
appearance

castle

 
Romanesque
 
commands
 

situated

 

Elements

 
ancient
 

destroyed

 
Corneto
 

Saracens

 
independent